| Module 1 | Module 2 | Module 3 |
|---|---|---|
| The beat of music. Note-values in common use. Bars, bar-lines and time signatures. Naming and writing notes in music. Leger lines. Stemmed Notes. Pitch in music. Treble and Bass clefs. Beaming of shorter notes. Dotted notes. Tied notes. Rests. |
Semitones and Whole tones. Accidentals. Key signatures to three sharps and flats. Writing major and harmonic minor scales. Working out the key of a passage. The tonic triad. |
Simple intervals (major, minor and perfect). Technical names of degrees of the scale. The dominant triad. Grouping of quavers and semiquavers. Writing a two-bar answering rhythm. Musical terms and signs. |
| Module 1 | Module 2 |
|---|---|
| More leger line notes. Minor key signatures to 3 sharps and flats. Writing melodic minor scales. Time signatures with minim/quaver beats. Inserting bar-lines in a melody. Changing the type of beat. Duple, triple and quadruple time. Triplets. |
Grouping of notes and rests. Simple harmony. Primary triads and inversions. Octave transposition. Composition of rhythms. Musical terms and signs. |
| Module 1 | Module 2 | Module 3 |
|---|---|---|
| More leger lines. Key signatures to 4 sharps and flats. Intervals (slightly more advanced work than Grade 2). |
Demisemiquavers. Compound time signatures. Rewriting a melody from simple to compound time and vice versa. Grouping of notes in compound time. |
Writing a rhythm with anacrusis beginning. Phrasing. Musical terms. |
| Module 1 | Module 2 | Module 3 | Time signatures with dotted quaver/dotted minim beats. Duplets. Double-dotted notes. The breve. |
Double sharps and flats. Key signatures with 5 and 6 sharps/flats. The alto clef. |
Writing a rhythm to words. | Module 4 | Module 5 | Module 6 |
|---|---|---|
| The chromatic scale. Four-part chords. Intervals (including augmented and diminished intervals). |
Ornaments. Orchestral instruments. Musical terms. |
Transposition. Inversion of intervals. |
| Module 1 | Module 2 | Module 3 |
|---|---|---|
| The tenor clef. Vocal score transcription. Enharmonic transposition. Compound intervals. |
Irregular time signatures. Irregular rhythmic groupings. Ornaments (further study). |
Chords in inversions. Cadential chords. Passing and auxiliary notes. Figured bass. Guitar chords. |
| Module 4 | Module 5 | Module 6 |
| Appoggiaturas, suspensions and anticipations. Four-part harmony. |
Melody writing. Writing a melody to given words / for an instrument. |
More on orchestral instruments. Musical terms and signs (complete list). |